It's the late sixties, a time of peace signs, free love and revolution; and Kent like others of his generation, is looking for a meaning to his life. Driving alone along the Big Sur, he flashes back to difficult memories about college, drugs, family and relationships. The flashback over, Kent is back in his car, but he loses control and crashes over an embankment. Stunned and hurt, Kent starts hitchhiking, not caring which direction. He wanders aimlessly, taking rides from strangers, never making real contact. Then he meets Julie who intrigues him and they move in together. Kent still has to find himself and the meaning of his existence.
Cinematography
Big Sur shots so pretty you'll forgive the protagonist.
Score
Joni Mitchell loaned 'Both Sides Now' — the film's one genuine emotion.
Production
Authentic 1969 time capsule, complete with regrettable fashion choices.
Director
Hall Bartlett
Trivia, insights & behind the scenes
Hall Bartlett made this immediately after The Wild Geese, pivoting from war epic to hippie navel-gazing with whiplash speed.
Joni Mitchell's 'Both Sides Now' became a hit single after this film used it — probably the only thing audiences remembered.
US
