Manu works at a beach bar. Klaus won't leave the last beach chair. What seems like a clash between opposites turns suspicious when Manu doubts Klaus's presence is coincidental. Tension builds until Klaus makes a disturbing offer.
Acting
Francella and Rovira's passive-aggressive chemistry is deliciously uncomfortable.
Direction
Veiga turns empty beach space into claustrophobic tension.
Writing
Dialogue that sounds like small talk but drips with subtext.
Director
Javier Veiga
Trivia, insights & behind the scenes
The 'beach chair wars' are a genuine phenomenon in Spanish tourism, where towel-reservation culture reflects deeper tensions about space, class, and who belongs.
Veiga shot during actual off-season in Benidorm, using real empty resorts to create liminal dread—Klaus's backstory mirrors the city's ghostly winter economy.
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