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A daughter exhumes her family's cinematic ghosts — and finds herself in the wreckage.
TMDB
100
IMDb
73

This Is Not Hollywood (The Unfinished Story of The Ibarretxe Brothers) (2024)

meta-memoirBasque punk spiritfilm-as-eulogy

Overview

Documentary

When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.

Flag of ESESSpanish
Content warning

Standout Aspects

Direction

Jone turns inherited footage into accidental self-portrait.

Production

Basque cinema history told through basement VHS archaeology.

Best for:Solo: Late night when you're feeling too much about your own parents.·Rewatch: Second viewing hits different once you know Jone's revelation.
Heads up:Emotional: Multiple family deaths, daughter processing grief on camera.
N

Director

Nere Falagan Martin

ReleasedSep 20, 2024
Runtime1h 20m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelheavy
Euskadi Movie AIE

Top Cast

Ramón Barea

Ramón Barea

Self

Stephen Fry

Stephen Fry

Self

Juan Echanove

Juan Echanove

Self

Nacho Vigalondo

Nacho Vigalondo

Self

Santiago Segura

Santiago Segura

Self

Kiko de la Rica

Kiko de la Rica

Self

Javier Echániz

Javier Echániz

Self

Asier Guerricaechevarría

Asier Guerricaechevarría

Self

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Deep Dive

Trivia, insights & behind the scenes

Cultural

The Ibarretxe brothers operated during Franco's suppression of Basque language and culture, making their regional cinema inherently political. The documentary never blasts this — it just shows the stubborn persistence of making art in Euskara.

Insight

Jone's realization that her father's films were autobiographical mirrors the documentary's own structure — she becomes the fourth Ibarretxe filmmaker without planning to, completing the family project she thought she was merely observing.

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