

The mother-in-law who said 'enough' and chose her daughter-in-law over her own son.
Togrul loves his wife Leyla very much and is terribly jealous at the same time. His jealousy destroys the family, and even Togrul's mother, knowing her son's unfair treatment, decides to leave home with her daughter-in-law...
Acting
Narimanova's silent suffering vs. Novruzova's steel-spine warmth.
Direction
Claustrophobic framing traps you in Togrul's paranoid gaze.

Director
Tariyel Vəliyev
Trivia, insights & behind the scenes
Azerbaijani cinema under Soviet rule often smuggled feminist narratives through 'family drama' classification to bypass censorship.
The mother-in-law's final walk with Leyla reportedly made male viewers walk out of 1987 screenings—female audiences cheered.
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