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She married his boss. Now she needs his help. Cairo's messiest love quadrangle.

Neither a Devil Nor an Angel (1980)

melodramatic chaosclass tensionpredestined lovers

Overview

Drama

Kawthar leaves her fiancé Ahmed and marries the wealthy Shamis, the owner of the factory where her father works, after a quarrel broke out between them because of her father. She wins his admiration. Ahmed completes his studies and graduates from the Faculty of Engineering. He falls in love with his colleague, the engineer Nahid, and they agree to get married, while Shamis is killed by his lover's husband. Kawthar asks the engineer Ahmed to help her manage her late husband's factory because she faces many problems in managing it. By chance, she learns about Ahmed's relationship with Nahid.

Flag of EGEGArabic
Content warning

Standout Aspects

Acting

Nour El-Sherif's wounded dignity, Sohier Ramzy's desperate eyes

Direction

Barakat's classic Egyptian melodrama mastery

Costume

1980s Cairo glamour vs. factory-worker authenticity

Best for:Solo: Rainy afternoon with tissues and judgment ready·Friends: Roast the melodrama together·Rewatch: Catch every dramatic zoom you missed
Heads up:Emotional: Multiple tragic deaths, unrequited longing throughout
Henry Barakat

Director

Henry Barakat

ReleasedJan 28, 1980
Runtime1h 34m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelheavy

Top Cast

Nour El-Sherif

Nour El-Sherif

Ahmed

Sohier Ramzy

Sohier Ramzy

Kawthar

Ali Al Sharif

Ali Al Sharif

Shemais

Waheid Seif

Waheid Seif

Rizk

Huda Ramzi

Huda Ramzi

Nahed

Mohammed Tawfik

Mohammed Tawfik

Kawthar's father

Inam Salusah

Inam Salusah

Fatima

Salah Nazmi

Salah Nazmi

Nahed's father

Ehsan Sherif

Ehsan Sherif

Umm Kawthar

Zein El Ashmawy

Zein El Ashmawy

Soheir Zaky

Soheir Zaky

Samy Fahmy

Samy Fahmy

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Henry Barakat was Egyptian cinema's king of women's melodramas, often adapting novels that explored female agency within conservative frameworks.

Insight

The title's religious reference (neither devil nor angel) critiques how Egyptian society policed women's moral choices—Kawthar exists in the impossible middle.

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