A building full of invisible workers builds something impossible—dignity.
Oliverio lives in a building taken over by immigrants from the Mexican countryside who work constantly to provide the basic services lacking in the dwelling.
Direction
Acevedo turns manual labor into visual meditation.
Cinematography
Cramped spaces breathe through careful framing.
Director
Izabel Acevedo
Trivia, insights & behind the scenes
Part of Mexico's 'cinema of the periphery' movement—films shot in real occupied buildings with non-professional residents.
Acevedo spent months living in the building; the 'helicopter' was the residents' actual collective fantasy, not scripted.
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