A 22-minute film that weaponizes awkwardness against Israeli nationalism itself.
In December 1987, the (first) Palestinian Intifada broke out and the Occupied Territories were set alight with a mass wave of demonstrations, protesting the ongoing Israeli occupation – the largest scale, longest-running ones seen in the area since 1967. The IDF was sent in to quash the uprising and before long, TV screens across the country were inundated with footage of burning tyres, stones thrown about, and baton-wielding Israeli soldiers chasing after teens and children. In the face of this new reality that made the question of the Occupied Territories the single most pressing issue of the time, the Jerusalem Film Festival went ahead and commissioned the following project. The result is a classic, Heffner-esque film – an intelligent labyrinth containing the most fundamental of Israeli tropes: The Holocaust; Arabs; us vs. them – all of which find themselves clashing and intermingling, and ultimately rendering the viewers helpless and cringing with awkwardness.
Direction
Heffner's labyrinthine structure mirrors ideological entrapment.
Writing
Colliding tropes that force viewers into uncomfortable recognition.
Director
Avraham Heffner
Trivia, insights & behind the scenes
Commissioned during the first Intifada, this was radical state-funded critique—imagine your government paying to be mocked.
Heffner's 'labyrinth' technique deliberately mirrors how Israeli discourse traps itself between Holocaust memory and present occupation.
IL
