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Fassbinder's terrorists are so incompetent they accidentally become government puppets — chaos ensues.
TMDB
60
IMDb
67
Google
75
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The Third Generation (1979)

absurdistparanoidbitterly funny

Overview

ComedyDramaCrime

A wildly anarchic satire of guerrilla terrorism in which a band of leftist radicals inadvertently become puppets of the West German government, which uses them to justify its authoritarian policies.

Flag of DEDEGerman
Content warning
state surveillanceradical ineffectualitycapitalist co-optationrevolutionary theater

Standout Aspects

Direction

Fassbinder's 44th film by age 33 — prolific and furious

Writing

Dialogue that weaponizes political jargon into punchlines

Acting

Udo Kier radiates unsettling aristocratic menace

Best for:Solo: Late night when you want to feel smarter than everyone·Rewatch: Catches new conspiracies each time
Heads up:Disturbing: Casual violence against women, played for uncomfortable satire·Triggers: Political extremism depicted with slippery moral irony
Rainer Werner Fassbinder

Director

Rainer Werner Fassbinder

ReleasedMay 30, 1979
Runtime1h 50m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonedark
Feelmedium
Filmverlag der Autoren
Pro-ject Filmproduktion

Top Cast

Harry Baer

Harry Baer

Rudolf Mann

Hark Bohm

Hark Bohm

Gerhard Gast

Margit Carstensen

Margit Carstensen

Petra Vielhaber

Eddie Constantine

Eddie Constantine

P. J. Lurz

Udo Kier

Udo Kier

Edgar Gast

Volker Spengler

Volker Spengler

August

Hanna Schygulla

Hanna Schygulla

Susanne Gast

Bulle Ogier

Bulle Ogier

Hilde Krieger

Günther Kaufmann

Günther Kaufmann

Franz Walsch

Claus Holm

Claus Holm

Opa Gast

Lilo Pempeit

Lilo Pempeit

Mutter Gast

Vitus Zeplichal

Vitus Zeplichal

Bernhard von Stein

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Made during the German Autumn of 1977, Fassbinder was directly responding to the Red Army Faction's actual violence while under police surveillance himself.

Insight

The title refers to the third generation of RAF terrorists — Fassbinder argued they'd become so detached from reality they were indistinguishable from performance artists, which the film literalizes.

Gallery(20 images)

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