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A priest, a colonial outpost, and Sara Montiel's breakthrough—Spanish cinema's most scandalous missionary story.
TMDB
37
IMDb
55

La mies es mucha (1948)

colonial gothictempestuous romanceCatholic guilt trip

Overview

Drama

Father Santiago Hernández, a Spanish missionary, arrives in Kattinga, India, to replace Father Daniel, who is seriously ill.

Flag of ESESSpanish
Content warning

Standout Aspects

Acting

Montiel's smoldering debut—she knew exactly what she was doing

Cinematography

Fake India shot in Madrid, somehow works

Costume

Montiel's saris: cultural appropriation but make it fashion

Best for:Solo: Late night when you're ready to suffer beautifully·Streaming: Spanish cinema deep dive, preferably with wine
Heads up:Disturbing: Colonial gaze, exoticized India, dated racial casting·Sexual Content: Repressed priest tension, implied desire
José Luis Sáenz de Heredia

Director

José Luis Sáenz de Heredia

ReleasedJan 1, 1948
Runtime2h 22m
StatusReleased

Vibe

Paceslow
Intensityhigh
Tonedark
Feelheavy
Chapalo Film

Top Cast

Fernando Fernán Gómez

Fernando Fernán Gómez

Padre Santiago Hernández

Sara Montiel

Sara Montiel

Guyerati

Enrique Guitart Matas

Enrique Guitart Matas

Sander

Rafael Romero Marchent

Rafael Romero Marchent

Modu

Antonio Almorós

Antonio Almorós

Mauro

Alberto Romea

Alberto Romea

Padre Daniel

Julia Caba Alba

Julia Caba Alba

Teresa

Rafael Bardem

Rafael Bardem

Reverendo Carty

Luis Pérez de León

Luis Pérez de León

Patro

Santiago Rivero

Santiago Rivero

Rameni

Fernando Sancho

Fernando Sancho

Clarenberg

Félix Briones

Félix Briones

Hechicero

Manuel Kayser

Manuel Kayser

Vicario

Ask about La mies es mucha

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Shot entirely in Spain with Spanish actors in brownface—a fascinating/infuriating document of 1940s Spanish Orientalism.

Trivia

Sáenz de Heredia was Franco's favorite director; this was his 'prestige' religious drama, though the erotic tension slipped past censors somehow.

Reviews

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