

Journalism ethics? In THIS economy? Hong Kong reporters go feral for the truth.
A rookie reporter is trying to overcome his lack of experience. An uptight reporter is seeking to find the good in people, and willing to forgive and forget the insults of her job. A middle-aged reporter uses his connections through many higher offices to make his stories come together. Dealing with modern journalism, the movie tries to do justice to both sides of the newspaper industry. On one side, the reporters are trying to do a good job in reporting the news, and for some, bringing resolution to problems. On the other side, the "victims" of reporters, who believe they are entitled to their privacy, are preventing the reporters from doing their job.
Acting
Emil Chau's weary veteran energy carries every scene.
Direction
Heung Laap-Hang captures newsroom urgency without glamorizing it.

Director
Heung Laap-Hang
Trivia, insights & behind the scenes
Released during Hong Kong's post-handover identity crisis, the film's newsroom tensions mirror broader anxieties about transparency and institutional trust.
Maggie Cheung Ho-Yee is often confused with the legendary Maggie Cheung Man-yuk—this is her lesser-known but equally committed cousin in the industry.