

48 minutes of Milla Jovovich dodging real bullets while Paul W.S. Anderson explains why 3D needed more slow-mo doves.
Practical Effects
Real actors actually set on fire. Multiple times. For art?
Visual Effects
The Phantom camera: 1000fps of Milla looking cool in rain
Direction
Anderson's genuinely infectious 3D obsession
Trivia, insights & behind the scenes
This was shot during production of Afterlife, meaning Anderson was literally directing the feature while being interviewed for this doc—explains the slightly manic energy.
The doc captures peak 'Avatar panic' in Hollywood, where every studio mandated 3D conversions and Anderson was one of the few actually shooting native 3D—whether that was wise is debatable.
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