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The most important Italian film almost didn't happen—and this is that messy, beautiful story.
TMDB
66
IMDb
64

Celluloide (1996)

cinephile catnipragtag underdogssmoke-and-passion

Overview

DramaHistory

June 1944. In the newly liberated Rome, Roberto Rossellini and Sergio Amidei decide, against all odds, to make an unprecedented, true-to-life film on the tragic events that occurred during the Nazi occupation: Rome, Open City .

Flag of ITITItalian
Content warning
cinema historyportrait of a filmmakerpost war lifeneorealism
art vs. survivalcollective memorythe cost of truthcreative desperation

Standout Aspects

Acting

Giannini's Amidei simmers with exhausted idealism.

Direction

Lizzani shoots making-of like neorealism itself: urgent, imperfect, alive.

Production

Recreated 1944 Rome in 1996—period detail that breathes.

Best for:Solo: Soak in every frame when nobody's rushing you.·Date Night: Test if they're worth dating: do they care how cinema was born?·Rewatch: Better after you've seen *Rome, Open City*.
Heads up:Emotional: Real-life tragedies of occupation woven throughout.
Carlo Lizzani

Director

Carlo Lizzani

ReleasedJan 26, 1996
Runtime1h 55m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Istituto Luce Cinecittà
Dean Film

Top Cast

Giancarlo Giannini

Giancarlo Giannini

Sergio Amidei

Massimo Ghini

Massimo Ghini

Roberto Rossellini

Anna Falchi

Anna Falchi

Maria Michi

Lina Sastri

Lina Sastri

Anna Magnani

Massimo Dapporto

Massimo Dapporto

Giuseppe Amato

Antonello Fassari

Antonello Fassari

Aldo Fabrizi

Milva

Milva

Countess

Christopher Walken

Christopher Walken

Rod Geiger

Massimo Ciavarro

Massimo Ciavarro

Massimo Serato

Francesca Ventura

Francesca Ventura

Jone Tuzi

Francesco Siciliano

Francesco Siciliano

Federico Fellini

Mauro Leuce

Mauro Leuce

Giuliano Montaldo

Giuliano Montaldo

Civalleri (uncredited)

Ask about Celluloide

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Trivia

The actual *Rome, Open City* was shot on scavenged short-ends and stolen film stock; Lizzani recreated this chaos by mixing 35mm with 16mm blow-ups.

Cultural

Giancarlo Giannini had played Amidei once before—in the 1970s, he was the voice of adult Salvatore in *Cinema Paradiso*, another film about film's power to preserve what war destroys.

Gallery

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