Six minutes of Spanish beauty that'll wreck you — no dialogue needed.
Cinematography
Every frame could hang in a museum.
Direction
Two directors, one devastating vision.
Costume
References Julio Romero de Torres paintings hauntingly.
Director
Juan Sainz de Rozas González
Trivia, insights & behind the scenes
The title references Julio Romero de Torres's 1896 painting 'Mírala qué bonita era,' depicting a beautiful dying woman — Celia Molina inverts this tradition of aestheticized female death.
Molina was only 22 when she created this, her debut as director-writer-performer — the rawness isn't inexperience, it's intentional vulnerability.
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