After the death of her abusive father, lonely librarian Martha finds herself caught up in a strange, sadomasochistic relationship with a monstrous husband whom she begins to suspect may be trying to murder her.
Direction
Fassbinder's framing turns every room into a prison.
Acting
Carstensen's dissolution is genuinely hard to watch—in the best way.
Cinematography
Michael Ballhaus makes sunlight feel malignant.

Director
Rainer Werner Fassbinder
Trivia, insights & behind the scenes
Fassbinder shot this in 24 days for West German television, which somehow makes its formal precision even more deranged.
Karlheinz Böhm's casting as Helmut carries extra weight—he'd just played the sympathetic protagonist in Peeping Tom, making his pivot to predator deeply disorienting for 1974 audiences.