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A 1917 propaganda fever dream where women save NYC from invasion with hidden bombs and patriotic fury.
IMDb
84

Womanhood, the Glory of the Nation (1917)

rabid patriotismsuffragette war fevertechno-militarist fantasy

Overview

DramaWar

When the nation of Ruthania declares war on the United States, an army of enemy soldiers invades the U.S. and captures New York. But the American forces have prepared adequately for such an event, and hidden booby traps, trick fortifications, and remote-controlled bombs...

Flag of USUS
Content warning

Standout Aspects

Production

Elaborate invasion sequences for 1917 — budget went to explosions, not subtlety.

Costume

Women's Red Cross uniforms as heroic armor — fashion as ideological weapon.

Best for:Solo: Film history masochists only — no one else will understand your suffering.·Background: Play muted while reading about actual WWI propaganda.
Heads up:Violence: Wartime slaughter played for patriotic arousal.·Triggers: Rabid xenophobia packaged as virtue; every frame drips with 1917 hysteria.
J. Stuart Blackton

Director

J. Stuart Blackton

ReleasedApr 9, 1917
Runtime1h 10m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonedark
Feelheavy
Vitagraph Company of America

Top Cast

Alice Joyce

Alice Joyce

Mary Ward

Harry T. Morey

Harry T. Morey

Paul Strong

Naomi Childers

Naomi Childers

Jane Strong

Joseph Kilgour

Joseph Kilgour

Marshal Prince Dario

Walter McGrail

Walter McGrail

Count Dario

Mary Maurice

Mary Maurice

Julia Strong

James Morrison

James Morrison

Philip Ward

Peggy Hyland

Peggy Hyland

Alice Renfrow

Templar Saxe

Templar Saxe

Baron Reyva

Bobby Connelly

Bobby Connelly

Little Boy

Edward Elkas

Edward Elkas

Ortos

Bernard Siegel

Bernard Siegel

The spy Carl

Theodore Roosevelt

Theodore Roosevelt

Self

Woodrow Wilson

Woodrow Wilson

Self

Ask about Womanhood, the Glory of the Nation

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Released months after U.S. entered WWI; Blackton literally invented this propaganda subgenre.

Trivia

Considered lost until fragments resurfaced — most 'patriotic' scenes survive only in descriptions, which may be for the best.

Gallery

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